Sandstone white or black earth Orriule or porcelain, work Gaëlle Guinga-Convert reports to both the architecture and sculpture.
Modelling, pigeon, shooting, each piece is the result of a desire to take the time, endlessly repeating the first and common gestures of a secular art.
In a world dominated by the rush and commercialism, the choice is deliberately blocked.
Copy, repeat, dissect, dismantle, take the liberty to make and remake indefinitely, reinvent and imagine these microcosms-like shells or organic enchevêtrures. From repetition
born this strange territory between vegetable and mineral, locules of nymphs emerging as so patiently scaffolded shelters, shelters laminates, sedimented between primitive art and lace land Drawn by the seasons, embossed, stamped, folded by the play of writing laborious, slow and relentless, the portion of the tattooed mirette estèque or sometimes incised as within the scope of a bite or wrinkled like skin.
parts are either left raw and enhanced with a slip or a juice-iron oxide, manganese, copper, cobalt, or sometimes by making enamelled overlays to create amazing effects of materials.
born in 1971 Parents of craftsmen, Gaëlle Guinga-Convert all his childhood was steeped in the smells and sounds of the workshop. After a few university courses and during filming, is seeking the sensations from his childhood that working the land as it became obvious.
0 comments:
Post a Comment